Surfacing Page 11

  "You're screwing around with me," he said, still not looking at me. "All I want is a straight answer."

  "About what?" I said. Near the dock there were some water skippers, surface tension holding them up; the fragile shadows of the dents where their feet touched fell on the sand underwater, moving when they moved. His vulnerability embarrassed me, he could still feel, I should have been more careful with him.

  "Do you love me, that's all," he said. "That's the only thing that matters."

  It was the language again, I couldn't use it because it wasn't mine. He must have known what he meant but it was an imprecise word; the Eskimoes had fifty-two names for snow because it was important to them, there ought to be as many for love.

  "I want to," I said. "I do in a way." I hunted through my brain for any emotion that would coincide with what I'd said. I did want to, but it was like thinking God should exist and not being able to believe.

  "Fucking jesus," he said, pulling his hand away, "just yes or no, don't mess around."

  "I'm trying to tell the truth," I said. The voice wasn't mine, it came from someone dressed as me, imitating me.

  "The truth is," he said bitterly, "you think my work is crap, you think I'm a loser and I'm not worth it." His face contorted, it was pain: I envied him.

  "No," I said, but I couldn't say it right and he needed more than that.

  "Come up to the cabin," I said; Anna was there, she would help. "I'll make some tea." I got up but he wouldn't follow.

  While the stove was heating I took the leather album from the shelf in their room and opened it on the table, where Anna was reading. It was no longer his death but my own that concerned me; perhaps I would be able to tell when the change occurred by the differences in my former faces, alive up to a year, a day, then frozen. The duchess at the French court before the Revolution, who stopped laughing or crying so her skin would never change or wrinkle, it worked, she died immortal.

  Grandmothers and grandfathers first, distant ancestors, strangers, in face-front firing-squad poses: cameras weren't ordinary then, maybe they thought their souls were being stolen, as the Indians did. Underneath them were labels in white, my mother's cautious printing. My mother before she was married, another stranger, with bobbed hair and a knitted hat. Wedding pictures, corseted smiles. My brother before I was born, then pictures of me beginning to appear. Paul taking us down the lake with his sleigh and horses before the ice went out. My mother, in her leather jacket and odd long 1940s hair, standing beside the tray for the birds, her hand stretched out; the jays were there too, she's training them, one is on her shoulder, peering at her with clever thumbtack eyes, another is landing on her wrist, wings caught as a blur. Sun sifting around her through the pines, her looking straight at the camera, frightened, receding into the shadows of her head like a skull's, a trick of the light.

  I watched myself grow larger. Mother and father in alternate shots, building the house, walls and then the roof, planting the garden. Around them were borders of blank paper, at each corner a hinge, they were like small grey and white windows opening into a place I could no longer reach. I was in most of the pictures, shut in behind the paper; or not me but the missing part of me.

  School pictures, my face lined up with forty others, colossal teachers towering above us. I could find myself always, I was the one smudged with movement or turning the other way. Further on, glossy colour prints, forgotten boys with pimples and carnations, myself in the stiff dresses, crinolines and tulle, layered like store birthday cakes; I was civilized at last, the finished product. She would say "You look very nice, dear," as though she believed it; but I wasn't convinced, I knew by then she was no judge of the normal.

  "Is that you?" Anna said, putting down The Mystery At Sturbridge. "Christ, how could we ever wear that stuff?"

  The last pages of the album were blank, with some loose prints stuck in between the black leaves as though my mother hadn't wanted to finish. After the formal dresses I disappeared; no wedding pictures, but of course we hadn't taken any. I closed the cover, straightening the edges.

  No hints or facts, I didn't know when it had happened. I must have been all right then; but after that I'd allowed myself to be cut in two. Woman sawn apart in a wooden crate, wearing a bathing suit, smiling, a trick done with mirrors, I read it in a comic book; only with me there had been an accident and I came apart. The other half, the one locked away, was the only one that could live; I was the wrong half, detached, terminal. I was nothing but a head, or no, something minor like a severed thumb; numb. At school they used to play a joke, they would bring little boxes with cotton wool in them and a hole cut in the bottom; they would poke their finger through the hole and pretend it was a dead finger.

  CHAPTER THIRTEEN

  We pushed off from the dock at ten by David's watch. The sky was watercolour blue, the cloud bunches white on the backs and grey on the bellies. Wind from the stern, waves overtaking, my arms lifting and swinging, light and automatic as though they knew what to do. I was at the front, figurehead; behind me Joe shoved at the water, the canoe surged forward.

  The landmarks passed, unscrolling, one-dimensional map thickening into stone and wood around us: point, cliff, leaning dead tree, heron island with the intricate bird silhouettes, blueberry island sailed by its mast pines, foregrounds. On the next island there was once a trapper's cabin, logs chinked with grass and a straw mound where the bed had been; I could see nothing left but a muddle of rotting timber.

  In the morning we talked, uselessly but in calm rational voices as though discussing the phone bill; which meant it was final. We were still in bed, his feet stuck out at the bottom. I could hardly wait till I was old so I wouldn't have to do this any more.

  "When we get back to the city," I said, "I'll move out."

  "I will if you like," he said generously.

  "No, you've got all your pots and things there."

  "Have it your way," he said, "you always do."

  He thought of it as a contest, like the children at school who would twist your arm and say Give in? Give in? until you did; then they would let go. He didn't love me, it was an idea of himself he loved and he wanted someone to join him, anyone would do, I didn't matter so I didn't have to care.

  The sun was at twelve. We had lunch on a jagged island almost out in the wide part of the lake. After we landed we found that someone had built a fireplace already, on the shore ledge of bare granite; trash was strewn around it, orange peelings and tin cans and a rancid bulge of greasy paper, the tracks of humans. It was like dogs pissing on a fence, as if the endlessness, anonymous water and unclaimed land, compelled them to leave their signature, stake their territory, and garbage was the only thing they had to do it with. I picked up the pieces of clutter and piled them to one side, I would burn them afterwards.

  "That's disgusting," Anna said. "How can you touch it?"

  "It's the sign of a free country," David said. "Germany under Hitler was very tidy."

  We didn't need to use the axe, the island was covered with dry sticks, branches discarded from trees. I boiled the water and made tea and we had chicken noodle soup, out of a package, and sardines and tinned applesauce.

  We sat in the shade, white smoke and the smell of scorching orange peels wrapping over us when the wind swerved. I hooked the billy tin off the fire and poured the tea; ashes and bits of twig were floating in it.

  "Gentlemen," David said, raising his tin cup, "Up the Queen. Did that once in a bar in New York and these three Limeys came over and wanted to start a fight, they thought we were Yanks insulting their Queen. But I said she was our Queen too so we had the right, and they ended up buying us a drink."

  "I think it would be more fair," Anna said, "if you did it, 'Ladies and Gentlemen, Up the Queen and the Duke.' "

  "None of that Women's Lib," David said, his eyes lidding, "or you'll be out on the street. I won't have one in the house, they're preaching random castration, they get off on that, they're roving the streets in
savage bands armed with garden shears."

  "I'll join if you will," Anna said to me, joking.

  I said "I think men ought to be superior." But neither of them heard the actual words; Anna looked at me as though I'd betrayed her and said "Wow, are you ever brainwashed," and David said "Want a job?" and to Joe, "Hear that, you're superior." But when Joe only grunted he said "You should wire him for sound. Or fix him up with a plug and a shade, he'd make a great end-table lamp. I'm having him give a guest lecture in Adult Vegetation next year, 'How Pots Communicate,' he'll walk in and say nothing for two hours, that'll freak them." Joe smiled at last, wanly.

  In the night I had wanted rescue, if my body could be made to sense, respond, move strongly enough, some of the red lightbulb synapses, blue neurons, incandescent molecules might seep into my head through the closed throat, neck membrane. Pleasure and pain are side by side they said but most of the brain is neutral; nerveless, like fat. I rehearsed emotions, naming them: joy, peace, guilt, release, love and hate, react, relate; what to feel was like what to wear, you watched the others and memorized it. But the only thing there was the fear that I wasn't alive: a negative, the difference between the shadow of a pin and what it's like when you stick it in your arm, in school caged in the desk I used to do that, with pen-nibs and compass points too, instruments of knowledge, English and Geometry; they've discovered rats prefer any sensation to none. The insides of my arms were stippled with tiny wounds, like an addict's. They slipped the needle into the vein and I was falling down, it was like diving, sinking from one layer of darkness to a deeper, deepest; when I rose up through the anaesthetic, pale green and then daylight, I could remember nothing.

  "Don't bother him," Anna said.

  "Or maybe I'll make it a short course this time," David said. "For the businessmen how to open the Playboy centrefold with the left hand only, keeping the right free for action, for the housewives how to switch on the T.V. and switch off their heads, that's all they need to know, then we can go home."

  But he wouldn't, he needed to be rescued himself and neither of us would put on the cape and boots and the thunderbolt sweatshirt, we were both afraid of failure; we lay with our backs to each other, pretending to sleep, while Anna prayed to nobody through the plywood wall. Romance comic books, on the cover always a pink face oozing tears like a melting popsicle; men's magazines were about pleasure, cars and women, the skins bald as inner tubes. In a way it was a relief, to be exempt from feeling.

  "The trouble with you is you hate women," Anna said savagely; she threw the rest of her tea and the tealeaves out of her tin cup into the lake, they hit with a splat.

  David grinned. "That's what they call a delayed reaction," he said. "Goose Anna in the bum and three days later she squeals. Cheer up, you're so cute when you're mad." He crawled over to her on all fours and rubbed his bristly burdock chin against her face and asked her how she would like to be raped by a porcupine. "You know that one?" he said. "How do porcupines do it? Carefully!" Anna smiled at him as though he was a brain-damaged child.

  The next minute he had scrambled up and was capering on the point, shaking his clenched fist and yelling "Pigs! Pigs!" as loud as he could. It was some Americans, going past on their way to the village, their boat sloshing up and down in the waves, spray pluming, flags cocked fore and aft. They couldn't hear him because of the wind and the motor, they thought he was greeting, they waved and smiled.

  I washed the dishes and soaked the fireplace, the hot stones sizzling, and we packed and started again. It was rougher, there were whitecaps on the open lake, the canoe rolled under us, we had to fight to keep it from turning broadside on; foam trailed on the dark water, spent waves. Paddle digging the lake, ears filled with moving air; breath and sweat, muscle hurt, my body at any rate was alive.

  The wind was too strong, we had to change course; we headed across to the lee shore and followed it, as close to the land as possible, threading the maze of rocks and shallows. It was the long way around but the trees sheltered us.

  Finally we reached the narrow bay where the portage was; the sun was at four, we'd been delayed by the wind. I hoped I would be able to find the place, the beginning of the path; I knew it was on the opposite side. As we rounded the point I heard a sound, human sound. At first it was like an outboard starting; then it was a snarl. Chainsaw, I could see them now, two men in yellow helmets. They'd left a trail, trees felled at intervals into the bay, trunks cut cleanly as though by a knife.

  Surveyors, the paper company or the government, the power company. If it was the power company I knew what it meant: they were going to raise the lake level as they had sixty years ago, they were plotting the new shoreline. Twenty feet up again and this time they wouldn't cut off the trees as they had before, it would cost too much, they would be left to rot. The garden would go but the cabin would survive; the hill would become an eroding sand island surrounded by dead trees.

  As we went by they glanced up at us, then turned back to their work, indifferent. Advance men, agents. Swish and crackle as the tree tottered, whump and splash as it hit. Near them was a post driven into the ground, numbers on it in fresh red paint. The lake didn't matter to them, only the system: it would be a reservoir. During the war. I would be able to do nothing, I didn't live there.

  The landing place at the portage was clogged with driftwood, sodden and moss-grown. We pushed in among the slippery logs as far as we could, then clambered out and waded, dragging the canoes up over, soaking our shoes. It was bad for the canoes, it scraped the keels. There were other paint marks, recent.

  We unloaded the canoes and I knotted the paddles into position across the thwarts. They said they would take the tents and the canoes and Anna and I could take the packs and the leftovers, the fishing rods and the tackle box with the jar of frogs I'd caught that morning, the movie equipment. David had insisted on it, though I warned him we might tip.

  "We have to use up the film," he said, "we've only got it rented for another week."

  Anna said "But there won't be anything you want," and David said "How do you know what I want?"

  "There's an Indian rock painting," I said, "prehistoric. You might take that." A point of interest, it would go with the Bottle Villa and the stuffed moose family, a new anomaly for their collection.

  "Wow," David said, "Is there? Neat," and Anna said "For god's sake don't encourage him."

  Neither of them had portaged before; we had to help them lift and balance the canoes. I said maybe they should double up, both of them under one canoe, but David insisted they could do it the real way. I said they should be careful; if the canoe slipped sideways and you didn't get out in time it would break your neck. "What's the matter," he said, "don't you trust us?"

  The trail hadn't been brushed out recently but there were deep footprints, bootprints, in the muddy places. Two sets, they pointed in but not out: whoever they were, Americans maybe, spies, they were still in there.

  The packs were heavy, food for three days in case the weather turned bad and marooned us; the straps cut into my shoulders, I leaned forward against the weight, feet squishing in the wet shoes as I walked.

  The portage was up over a steep ridge of rock, watershed, then down through ferns and saplings to an oblong pond, a shallow mud-hole we'd have to paddle across to reach the second portage. Anna and I got there first and set down the packs; Anna had time to smoke half a cigarette before David and Joe came staggering down the trail, bumping into the sides like blinkered horses. We held the canoes and they crouched out from under, they were pink and breathless.

  "Better be fish in there," David said, sleeving off his forehead.

  "The next one's shorter," I told them.

  The water was covered with lily pads, the globular yellow lilies with their thick centre snouts pushing up from among them. It swarmed with leeches, I could see them undulating sluggishly under the brown surface. When the paddles hit bottom on the way across, gas bubbles from decomposing vegetation rose and burst wit
h a stench of rotten eggs or farts. The air fogged with mosquitoes.

  We reached the second portage, marked by a trapper's blaze weathered to the colour of the tree. I got out and stood holding the canoe steady while Joe climbed forward.

  It was behind me, I smelled it before I saw it; then I heard the flies. The smell was like decaying fish. I turned around and it was hanging upside down by a thin blue nylon rope tied round its feet and looped over a tree branch, its wings fallen open. It looked at me with its mashed eye.

  CHAPTER FOURTEEN

  "Heavy," David said. "What is it?"

  "A dead bird," Anna said. She held her nose with two fingers.

  I said "It's a heron. You can't eat them." I couldn't tell how it had been done, bullet, smashed with a stone, hit with a stick. This would be a good place for herons, they would come to fish in the shallow water, standing on one leg and striking with the long spear bill. They must have got it before it had time to rise.

  "We need that," David said, "we can put it next to the fish guts."

  "Shit," Joe said, "it really stinks."

  "That won't show in the movie," David said, "you can stand it for five minutes, it looks so great, you have to admit." They began to set up the camera; Anna and I waited, sitting on the packs.

  I saw a beetle on it, blueblack and oval; when the camera whirred it burrowed in under the feathers. Carrion beetle, death beetle. Why had they strung it up like a lynch victim, why didn't they just throw it away like the trash? To prove they could do it, they had the power to kill. Otherwise it was valueless: beautiful from a distance but it couldn't be tamed or cooked or trained to talk, the only relation they could have to a thing like that was to destroy it. Food, slave or corpse, limited choices; horned and fanged heads sawed off and mounted on the billiard room wall, stuffed fish, trophies. It must have been the Americans; they were in there now, we would meet them.

  The second portage was shorter but more thickly overgrown: leaves brushed, branches pushed into the corridor of air over the trail as though preventing. Newly broken stubs, wood and pith exposed like splintered bones, ferns trampled, they'd been here, their tractor-tread footsteps dinting the mud path in front of me like excavations, craters. The slope descended, slits of the lake gleamed through the trees. I wondered what I would say to them, what could be said, if I asked them why it would mean nothing. But when we reached the end of the portage they were nowhere in sight.